“These sort of interviews remind me of Cannes. You go from table to table, and you’re just talking the whole time. This is good. I like it,” Laura Harring says when she arrived at my table, while she was in Brussels, anno 2007 to attend the Brussels International Fantastic Film Festival, back then organized at the Tour & Taxis building. She is well known for her performance in David Lynch’s cult film “Mulholland Dr.” (2001), a surrealist dreamscape in the form of a Hollywood film noir, opposite Naomi Watts and Justin Theroux; later, she worked twice more with Lynch in “Rabbits” (2002) and “Island Empire” (2006). When I met her, she had just finished Mike Newell’s “Love in the Time of Cholera” and was moving on from one project to another, playing leading and supporting roles in features and TV movies.
“Mulholland Dr.” (2001, trailer)
Born in Mexico in 1964 and at various stages in her career, also credited as Laura Herring, Laura Elena Harring, and Laura Martinez Harring, she became the first Hispanic to win the Miss USA crown (1985). She became an actress a couple of years later, worked her way up through the theater and television, and wound up being compared with some of the screen’s most celebrated idols and icons. After the International Herald Tribune compared her with Ava Gardner, American film critic Roger Ebert wrote in his “Mulholland Dr.” review of October 12, 2001, ‘Not many actresses would be bold enough to name themselves after Rita Hayworth, but Harring does, because she can. Slinky and voluptuous in clinging gowns, all she has to do is stand there, and she’s the first good argument in fifty-five years for a “Gilda” remake.’ After “Mulholland Dr.” which was praised by noted Los Angeles film critic Kenneth Turan as ‘a dark dreamscape that needs to be experienced, not explained,’ Laura Harring became an instant screen phenomenon.
Visiting Brussels at the Brussels International Fantastic Film Festival in 2007, she gladly looked back at this exciting period and didn’t mind looking ahead to see what’s in store for the near future.
Ms. Harring, can you tell us something about the films you get to see here at the Festival in Brussels? Do you enjoy them?
Well, there are quite a bit of foreign-language films that I don’t get because there are no English subtitles. I can hear the audience laugh, or they get scared, but everybody seems to enjoy it a lot. People here are very polite. If a film is bad, they’re still respectful. It’s a very different audience interaction here, one I’ve never experienced before. It makes watching these films even more fun, even though at times I don’t understand what they say. In Cannes, you might get booed, and that’s quite something else.
That’s pretty rude, isn’t it? There’s a whole team involved in the process of the making of a film, the cast, and crew, they all worked on it for months, and they get booed?
Yes, that’s true; so far I’ve never been booed (knocks on the wooden table). Before we went to Cannes with the whole team of “Mulholland Dr.” , David [Lynch, the director of the film] said to us, ‘No matter what happens there, you make sure you hold your head up.’ Because you can get booed in Cannes. I never think about that, but I do remember that there was a moment of complete silence after the screening of the film. And they all looked at me and said, ‘That’s it?’ And when I nodded, they stood up, and they applauded very loud. But there was a moment we didn’t know which way it was gonna turn. It was very intense [laughs]. But I understand that. I respect that response. In Europe, people are such film lovers; film is so important to them. It is important to me as well. I am very passionate about what I do, and I love to come to Europe because I see people think the same way. Film means something, you can make a difference with a film. If it affects you, that’s enough, and for entertainment, that is fine. You don’t always need to have a great moral story. But if you really want to affect people by the end of a film, when the audience decides whether they like it or not, then the stakes are even higher. David said, ‘No one has the right to judge your creativity’—in other words, you make creativity for its own sake, not to be liked. You don’t do it to get recognition, you don’t do it for an award, but you want your work to be liked.
When did you first get passionate about movies?
When I was eighteen, I was a social worker in India, then I traveled and ended up in the Philippines. I can tell you that when I was in both those countries—this was way before I started acting—I went to see the films there. I didn’t know at all what they were saying, no subtitles, they were in Hindi, for example, and sometimes I watched two or three films a day. There was something in me that really liked watching them, even though they weren’t the best quality films. This was also in a time when they were so conservative so that when a couple was in love, and they were about to kiss, there was thunder, or the wind blew and the windows opened [laughs]. It was so amazing! And when I became an actress, they booked me opposite Raul Julia in a movie called “The Alamo: Thirteen Days to Glory”  and when I watched him, I was fascinated by him, even when I didn’t have scenes with him. He was playing Presidente de Santa Ana, and when he got himself all worked up, angry, with his beautiful resonant low voice, I became addicted to acting. He played Shakespeare in Spanish and in English, and I don’t know of any other actor who could do that. He could play anything. Within the industry, everyone knew he was one of the best actors, but in terms of critics and the media, he didn’t get much attention, did he? For me, it’s a great, great honor to be opposite such great actors.
How did David Lynch work on the set of “Mulholland Dr.”?
Working with David Lynch was a beautiful experience. It was like working with a poet. At that time, I didn’t have a lot of experience in movies because I had mostly done television and theater, but I knew he was very special. From the first moment I met him, I could see he had a movie going on in his head. He didn’t say very much to me. He just looked at me, and said, ‘Good, good!’ He was seeing me in the movie. I never had to audition or anything, he had seen my picture, and that was enough for him to meet me right away. The good omen I had is that I had a car accident on my way to his house that day. I thought, ‘My God, that’s so weird.’ I had never read the script, and when I read the first part of it, I just had a feeling that was going to happen. It was too synchronistic. There was something so strange about that. When we were shooting the film, there were some scenes that were very specific, like when I did my hands like this [puts her hand over her face], he wanted me to do it exactly like that. But there were other scenes when he gave you a lot more room. I remember improvising one night, and he liked it, so he wanted me to keep it.
When you made “Masked and Anonymous” , you also worked with Bob Dylan. What was that like?
He was a very sweet man. Everybody was like, ‘Bob Dylan! Bob Dylan!’ He was very nervous about being in a movie, but he was very sweet. He came over to ask for my advice, but I didn’t want to offend the director or anything, so I had to be really careful. I mean, he’s Bob Dylan, and I’m not going to ignore him, but I’m not the director. But he was great. He was also shy, like a lot of people, and shy people are often misinterpreted. I remember when I was young, I used to be shy, and people thought I was snobby. Shyness can be interpreted a lot like, ‘Oh, they don’t want to be with us, they must think they’re better than us’—and it has nothing to do with that. The mind is very tricky, you know, we have all these concepts.
Has it been difficult for you after “Mulholland Dr.” not to be typecast?
It was for a few years. But after I worked with William Hurt on “The King” , I had all of these wonderful opportunities, like “Walkout”  with Edward James Olmos. I got to play the suburban mom; they aged me, they tailed me. Not many actresses get that chance. You get typecast forever and that’s it. And then you get older and you don’t work. But with me, it was great because I did the transition already, and people in Hollywood knew that I could play older and plain, you know what I mean. Amazing directors gave me the opportunity to do that. And then what happened was completely the reverse. Instead of being typecast as glamorous, I was getting typecast as old and ugly and haggard [laughs]. Then my agent said, ‘We got to do something about this.’ So I went on a losing weight thing, and just when I was losing weight and looking good, I got offered “Love in the Time of Cholera” , and I had to gain twenty-five pounds [laughs]. I have “Nancy Drew”  coming up too, at Warner Bros., and it looks like a really funny film. It came out really cute. I play a glamorous movie star there.
What kind of roles do you prefer to play?
You know, the most important thing for me is that when I leave this earth, I don’t have regrets, you know what I mean? And so, for me, I take a role and don’t say no for this and no for that. I like to say yes because what happens is that you learn. If you’re in an action movie like “Derailed” , you have to take martial arts classes; you have to learn self-defense while I always used to be a scared type, I was scared of heights. So when I finished that movie, I was a comfortable type. That expanded my consciousness. I may sound strange to you, but for me, my life is more important than my career. At the end, it’s your life, you know. Sometimes I would accept a role because I would resonate with the story or because it makes me cry, like with “Willard” , I cried. The story of Willard was so sad. But I have been very fortunate, I have a wide range, and I loved working with Mike Newell on “Love in the Time of Cholera.” He also has a wide range. He does everything, from gangster movies to comedies. There are many characters in this movie; Javier Bardem is playing Florentino, and I am Sara Noriega, you know, this big woman. But from what we did, you can always feel when you’re creating magic, when magic is happening, it’s a feeling you got. I felt that with “Mulholland Dr.,” and I have that feeling in “Love in the Time of Cholera.” It felt very real, like you’re in that world. You’re not ever thinking because when you’re thinking, you’re not into it. You have to be feeling it, and when we were doing that film, there was definitely that movie magic.
Is it because of that wide range that you why make acting look so easy?
Most people think it’s easy because it’s like if you dance. It should look effortless. But when you see a dancer floating on the dance floor, that takes years of work. But he looks relaxed. And for acting, you also have to relax, otherwise, you just can’t create. When you relax, you can act better. But to sound natural on film, that’s the hardest thing in the world.
What advice would you give to young actors?
I would give them the advice not to listen to other people’s criticism. I would give that advice to any human being. We live in a world where we want approval, we want to be loved, and it’s hard because we want to be liked. But it’s impossible to be liked by everyone. So you should not be affected by what other people think of the things you’re good at or not. You have to be comfortable, and when you are, it just so happens that people accept you. It has to start from you, knowing who you are, knowing that you can do it, knowing that you got what it takes.
Brussels International Fantastic Film Festival, Brussels (Belgium)
April 11, 2007
THE FORBIDDEN DANCE (1990) DIR Greydon Clark PROD Richard L. Albert, Marc S. Fischer SCR John Platt, Roy Langsdon (story by Menahem Golan) CAM R. Michael Stringer MUS Vladimir Horunzhy CAST Laura Herring [Laura Harring] (Nisa), Sid Haig, Richard Lynch, Jeff James, Barbra Brighton, Miranda Garrison
DEAD WOMEN IN LINGERIE (1991) DIR – PROD Erica Fox SCR Erica Fox, John Romo CAM John Newby MUS Ciro Hurtado CAST Maura Tierney, Jerry Orbach, Dennis Christopher, John Romo, June Lockhart, Laura Herring [Laura Harring] (Marcia), Ken Osmond
EXIT TO EDEN (1994) DIR Garry Marshall PROD Garry Marshall, Alexandra Rose SCR Deborah Amelon, Bob Brunner (novel “Exit to Eden” by Anne Rice) CAM Theo Van de Sande MUS Patrick Doyle CAST Dana Delany, Paul Mercurio, Dan Aykroyd, Rosie O’Donnell, Hector Elizondo, Stuart Wilson, Rosemary Forsyth, Laura Harring (M.C. Kindra), Garry Marshall
BLACK SCORPION II: AFTERSHOCK (1997) DIR Jonathan Winfrey PROD Roger Corman SCR Craig J. Nevius CAM Mark Kohl MUS Kevin Kiner CAST Joan Severance, Whip Hubley, Sherrie Rose, Stoney Jackson, Matt Roe, Stephen Lee, Laura Harring (Babette, the Mayor’s Girl), Jonathan Winfrey
HOOVER PARK (1997) DIR – SCR Rod S. Scott PROD Theron K. Cal CAM Shawn Landis CAST Mikki Blair, A.K. Braxton, Laura Harring, Anthony Johnson, Champagne Powell, Todd Bridges, Tommy ‘Listy’ Blair
LITTLE NICKY (2000) DIR Steven Brill PROD Jack Giarraputo, Robert Simonds SCR Steven Brill, Adam Sandler, Tim Herlihy CAM Theo Van de Sande MUS Teddy Castellucci, Adam Jeremy Williams CAST Adam Sandler, Patricia Arquette, Harvey Keitel, Rhys Ifans, Tommy ‘Tiny’ Lister, Jr., Rodney Dangerfield, Allen Covert, Reese Witherspoon, Clint Howard, Laura Harring (Mrs. Dunleavy), Henry Winkler
FINAL PAYBACK (2001) DIR Art Camacho PROD Manuel Sanchez, Jason Abustan, Art Camacho SCR Art Camacho, Samuel Oldham, Juan Rodriguez Flores (story by Manuel Sanchez) CAM Andrea V. Rossotto MUS Steve Yeaman CAST Richard Grieco, Martin Kove, John Saxon, Laura Harring (Gina Garrillo), Corbin Bernsen, Priscilla Barnes, Sherrie Rose
MULHOLLAND DR. (2001) DIR – SCR David Lynch PROD Neal Edelstein, Tony Krantz, Michael Polaire, Alain Sarde, Mary Sweeney CAM Peter Deming MUS Angelo Badalamenti CAST Naomi Watts, Laura Elena Harring [Laura Harring] (Rita / Camilla Rhodes), Justin Theroux, Dan Birnbaum, Scott Wulff, Robert Forster, Brent Briscoe, Ann Miller, Dan Hedeya, Lee Grant, Chad Everett
JOHN Q (2002) DIR Nick Cassavetes PROD Marl Burg, Oren Koules SCR James Kearns CAM Rogier Stoffers MUS Aaron Zigman CAST Denzel Washington, Robert Duvall, Gabriele Oltean, Laura Elena Harring [Laura Harring] (Gina Palumbo), James Woods, Anne Heche, Kevin Connolly, Frank Cassavetes, Jay Leno, Ted Demme
DERAILED (2002) DIR Bob Misiorowski PROD Boaz Davidson, Danny Lerner SCR Jace Anderson, Adam Gierasch (story by Boaz Davidson) CAM Ross W. Clarkson MUS Serge Colbert CAST Jean-Claude Van Damme, Tomas Arana, Laura Elena Harring [Laura Harring] (Galina Konstantin), Susan Gibney, Lucy Jenner, Jessica Bowman
WILLARD (2003) DIR Glen Morgan PROD Glen Morgan, James Wong SCR Glen Morgan (screenplay of WILLARD  by Gilbert A. Relston; novel by Stephen Gilbert) CAM Robert McLachlan MUS Shirley Walker CAST Crispin Glover, R. Lee Ermey, Laura Elena Harring [Laura Harring] (Cathryn), Jackie Burroughs, Ashlyn Gere, William S. Taylor, Edward Horn, Gus Lynch
MI CASA, SU CASA (2003) DIR Bryan Lewis PROD Bryan Lewis SCR Steven Baer CAM Thaddeus Wadleigh MUS John McCallum CAST Laura Harring (Catalina), Roy Werner, Gerardo Mejía, Margaret Scarborough, Victoria Ramirez, Barbara Eden
THE POET (2003) DIR Paul Hills PROD Jonathan English, Evan Todd, Arno Ortmair, Timothy Ney SCR Robert Hammond, Barbara Jago, Emil Meyer (story by Leslie Ann Proctor) CAM MUS Marcel Barsotti, Sofa Surfers CAST Dougray Scott, Laura Elena Harring [Laura Harring] (Paula), Jürgen Prochnow, Andrew Lee Potts, Erika Marozsán
MASKED AND ANONYMOUS (2003) DIR Larry Charles PROD Jeff Rosen, Nigel Sinclair SCR Sergei Petrov [Bob Dylan], Rene Fontaine [Larry Charles] CAM Rogier Stoffers MUS Bob Dylan CAST Bob Dylan, Jeff Bridges, Penélope Cruz, John Goodman, Jessica Lange, Luke Wilson, Angela Bassett, Steven Bauer, Bruce Dern, Laura Harring, Ed Harris, Val Kilmer, Cheech Marin, Chris Penn, Mickey Rourke, Richard Sarafian, Christian Slater, Susan Tyrrell, Fred Ward
THE PUNISHER (2004) DIR Jonathan Hensleigh PROD Avi Arad, Gale Anne Hurd SCR Jonathan Hensleigh, Michael France CAM Conrad W. Hall MUS Carlo Siliotti CAST Thomas Jane, John Travolta, Rebecca Romijn-Stamos, Will Patton, Roy Scheider, Laura Harring (Livia Saint), Ben Foster, Samantha Mathis
ALL SOULS DAY: DIA DE LOS MUERTOS (2005) DIR Jeremy Kasten PROD Mark A. Altman, Mark Gottwald SCR Mark A. Altman CAM Christopher Duddy MUS Joe Kraemer CAST Marisa Ramirez, Travis Wester, Nichole Hiltz, Las Alonzo, Laura Harring (Martia), David Keith, Julia Vera, George Romero
THE KING (2005) DIR James Marsh PROD Milo Addica, James Wilson SCR James Marsh, Milo Addica CAM Eigil Bryld MUS Max Avery Lichtenstein CAST Gael García Bernal, William Hurt, Laura Harring (Twyla), Pell James, Paul Dano, Derek Alvarado, Milo Addica
INLAND EMPIRE (2007) DIR – SCR – CAM David Lynch PROD David Lynch, Mary Sweeney CAST Laura Dern, Jeremy Irons, Justin Theroux, Harry Dean Stanton, Peter J. Lucas, Karolina Gruszka, Jan Hench, Grace Zabriskie, Diane Ladd, Julia Ormond, William H. Macy, Mary Steenburgen, Laura Harring (Jane Rabbit), Nastassja Kinski, Michael Paré, Naomi Watts (Suzie Rabbit, voice only)
GHOST SON (2007) DIR Lamberto Bava PROD Pino Gargiulo, Enzo Giulioli, Marco Guidone SCR Lamberto Bava, Silvia Ranfagni (story by Lamberto Bava) CAM Tani Canevari MUS Paolo Vivaldi CAST Laura Harring (Stacey), John Hannah, Pete Postlethwaite, Carolina Cataldi-Tassoni, Mosi Kaiser, Laura Susanna Ruedeberg, Jake David Matthewson
NANCY DREW (2007) DIR Andrew Fleming PROD Jerry Weintraub SCR Andrew Fleming, Tiffany Paulsen (story by Tiffany Paulsen; characters created by Carolyn Keene [Mildred Wirt Benson]) CAM Alexander Gruszynski MUS Ralph Sall CAST Emma Roberts, Craig Gellis, Rich Cooper, Max Thieriot, Amy Bruckner, Kay Panabaker, Cliff Bernis, Laura Elena Harring [Laura Harring] (Dehlia Draycott), Pat Carroll, Barry Bostwick, Bruce Willis
LOVE IN THE TIME OF CHOLERA (2007) DIR Mike Newell PROD Scott Steindorff SCR Ronald Harwood (novel ‘El amore en los tiempos del cólera’ by Gabriel García Márquez) CAM Affonso Beato MUS Antonio Pinto CAST Javier Bardem, Giovanna Mezzogiorno, Benjamin Bratt, Catalina Sandino Moreno, Hector Elizondo, Liev Schreiber, Laura Harring (Sara Noriega)
ONE MISSED CALL (2008) DIR Eric Valette PROD Broderick Johnson, Andrew A. Kosove, Jennie Lew Tugend SCR Andrew Klavan (novel ‘Chakushin ari’ by Yasushi Akimoto) CAM Glen MacPherson MUS Reinhold Heil, Johnny Klimek CAST Shannyn Sossamon, Edward Burns, Azura Skye, Ana Claudia Talancón, Ray Wise, Johnny Lewis, Jason Beghe, Laura Harring (Beth’s Mon)
THE CALLER (2008) DIR Richard Ledes PROD Richard Ledes, Linda Moran SCR Richard Ledes, Alain Didier-Weill CAM Stephen Kazmierski MUS Robert Miller CAST Frank Langella, Elliott Gould, Alex Feldman, Grégory Ravary Ellis, Jean Brassard, Laura Harring (Eileen)
DROOL (2009) DIR – SCR Nancy Kissam PROD John Portnoy, Nick Thurlow, Todd Williams SCR Kara Stephens CAM MUS Dana Boulé CAST Laura Harring (Anora Fleece), Jill Marie Jones, Oded Fehr, Ashley Duggan Smith, Christopher Newhouse
KLUGE (2010) DIR Luis Barone PROD Oscar Marcos Azar SCR Miguel Machalski CAM José Guerra MUS Arturo Cervino, Miguel Machalski CAST Laura Harring, Benjamin Rojas, Alejandro Awada, Mausi Martinez
RETURN TO BABYLON (2013) DIR Alex Monty Canawati PROD Maria Conchita Alonso, Stanley Sheff SCR Alex Monty Canawati, Bruce Pintzer, Stanley Sheff CAM Scott Dale, Cricket Peters CAST Jennifer Tilly, Maria Conchita Alonso, Tippi Hedren, Debi Mazar, Ione Skye, Rolonda Watts, Phillip Bloch, Laura Harring (Alla Nazimova)
SEX ED (2014) DIR Isaac Feder PROD Monika Casey, Stephen Feder, Dori Sperko, Elayne Schneiderman SCR Bill Kennedy CAM Brian Burgoyne MUS Alexander Kemp CAST Haley Joel Osmont, Glen Powell, Laura Harring (Lupe), Abby Elliott, Lorenzo Izzo, George Eads, Matt Walsh
TACO SHOP (2015) DIR Joaquin Perea PROD Robert A. Parada SCR Oskar Toruno, Rick Najera (story by Oskar Toruno) CAM Alan Jacoby MUS Carl Rydlund CAST Rafael Agustin, Carlos Alazraqui, Dan Bakkedahl, Laura Harring, Brian Huskey, Eric Roberts
MANSON GIRLS (2015) DIR – SCR Susanna Lo PROD Susanna Lo, Brett Cranford CAM Ken Kelsch MUS Guy Allison CAST Tania Raymonde, Laura Harring (Alice Rainer), Eric Balfour, Monica Keena, Rachel Melvin, Ron Jeremy, Patti D’Arbanville
ICE CREAM (2015) DIR Roberto De Feo, Vito Palumba PROD Marco Colombo, Christian Halsey Solomon, Alexia Melocchi SCR Roberto De Feo, Vito Palumbo, David Castaldo CAM Colby Oliver, Checco Varese CAST Laura Harring (Wendy), Spencer Treat Clark, Wade Williams, Brendan Miller, Kaili Thorne, Justin Gaston, Noell Coet
THE ALAMO: THIRTEEN DAYS TO GLORY (1987) DIR Burt Kennedy PROD Sheldon Pinchuk, Bill Finnegan SCR Clyde Ware, Norman Morrill (book by Lon Tinkle) CAM Michael N. Knue MUS Peter Bernstein CAST James Arness, Brian Keith, Alec Baldwin, David Ogden Stiers, Jim Metzler, Tom Schanley, Raul Julia, Lorne Greene, Laura Martinez Harring [Laura Harring] (Santa Anna’s Bride),
DESPERADO: AVALANCHE AT DEVIL’S RIDGE (1988) DIR Richard Compton SCR Larry Cohen (created by Elmore Leonard) CAM Robert C. Jessup MUS Michel Colombier CAST Rod Steiger, Alec MacArthur, Lise Cutter, Hoyt Axton, Laura Harring
RIO DIABLO (1993) DIR Rod Hardy PROD Frank Q. Dobbs SCR Frank Q. Dobbs, Stephen Lodge, David S. Cass, Sr. CAM David Connell MUS Larry Brown CAST Kenny Rogers, Travis Tritt, Naomi Judd, Bruce Greenwood, Laura Harring (Maria Benjamin), Stacy Keach, Michael G. Hagerty
EMPIRE (1995) ASSOC PROD Rafael Urióstegui CAST Henry Darrow, Carol Mayo Jenkins, J. Downing, Laura Harring (Gabrielle Cochrane), Robert Leeshock, Steven Langa, Marjorie Lovett, Julie Benz
A FAMILY IN CRISIS (2000) DIR Christopher Leitch PROD Leanne Moore SCR Dennis Turner CAM Neil Roach MUS Starr Parodi, Jeff Eden Fair CAST Esai Morales, Alec Roberts, Miguel Sandoval, Laura Elena Harring [Laura Harring] (Marisleysis Gonzales), Seidi Lopez, Jon Huertas
RABBITS (2002) DIR – SCR David Lynch MUS Suzie CAST Scott Coffey, Rebekah Del Rio, Laura Elena Harring [Laura Harring] (Jane), Naomi Watts
MY NEIGHBOR’S KEEPER (2007) DIR Walter Klenhard ASSOC PROD Stacey Shaw, Randy Zalkan SCR Lindsay MacAdam CAM Anthony C. Metchie MUS Ron Ramin CAST Laura Harring (Kate Powell), Linden Ashby, Ken Tremblett, Haley Guiel, Nathaniel DeVeaux, Brenda Campbell, Taylor Murrell
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